PUBLIC MARKS with tags "informatique musicale" & acousmatique

The Computer Music Center at Columbia University is an innovative and exciting music and arts technology facility with a long history of creative excellence

CDeMUSIC is the materials distribution program of Electronic Music Foundation. The scope of CDeMUSIC, however, extends far beyond electronic music to include all genres and styles of non-commercial new music

Jean Piché (1951) is a composer who has develloped into a video artist over the past few years. His practice meshes moving images and music in a new hybrid form he calls videomusic. In his beginnings as an electroacoustic composer in the 1970s, he was one of the very first Canadians to employ the then emerging digital audio technologies. He has produced works in every genre of electroacoustics for mixed and acousmatic to live-electronics. His work aims for poetic expression beyond any sort of formalism. The work has been alternately described as confounding, colorful and virtuosistic. He has contributed to the presence and development of Canadian music here and abroad while working at the Canada Council where he defended the legitimacy of many alternative contemporary music practices. This inclusivist approach was highlighted when he directed the Montréal Musiques Actuelle – New Music America festival in 1990. As a teacher at the Université de Montréal since the late 1980s, he has nurtured a number of young into diverse careers in new media and music. He keeps a hand in software development and some of his programs, notably Cecilia, are used by composers the world over.

Ce site n'est pas consacré à "l'espace en musique électroacoustique" (voir les sites dans la section Liens). Ce qui est présenté et discuté dans ces pages n'a pas la prétention de pouvoir s'appliquer aux domaines du faire et de l'écoute du son en général. Son propos concerne exclusivement ses développements et applications dans le domaine du "son fixé/projeté", son intégration en tant que critère des sons tel qu'il est perçu et composé en acousmatique. Et ce n'est déjà pas rien, si je puis me permettre cette expression... Libre à chacun, selon son parcours et son domaine, d'en tirer des éléments exploitables ou non

Ensemble de ressources relatives à la musique et à l'informatique musicale, logiciels, etc