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Concept Typography Artwork, Animal Kingdom

by sbrothier & 1 other
THIS IS A SERIES OF CONCEPT ARTWORKS FORMED FROM OUR ENTHUSIASTIC PASSION FOR TYPOGRAPHY.

80 Beautiful Typefaces For Professional Design

by brianj1400 & 8 others
over 80 gorgeous typefaces for professional design, based upon suggestions from designers and web-developers all over the world. Most screenshots are taken from the foundries and provided specimens - particularly on Veer.com and Fontshop.com.

June 2008

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May 2008

15 Great Examples of Web Typography | i love typography, the typography blog

by oqdbpo & 1 other
Welcome to iLT’s second-quarter roundup of sites that use type well. It may be that not all the sites listed here are to your taste, but it’s hoped that something—even a detail somewhere—will inspire you. Invariably, these lists are subjective, so if you disagree, then feel free to do so in the comments below. If this list provokes discussion of what constitutes good web typography, then all the better. The designs are listed in no particular order. Click on the screen-shot to visit the site. Enjoy!

Experiential Typography | One Day Poem Pavilion | Jiyeon Song

by oqdbpo
The results of an extensive exploration with shadows, the One Day Poem Pavilion demonstrates the poetic, transitory, site-sensitive and time-based nature of light and shadow. Using a complex array of perforations, the pavilion’s surface allows light to pass through creating shifting patterns, which–during specific times of the year–transform into the legible text of a poem. The specific arrangements of the perforations reveal different shadow-poems according to the solar calendar: a theme of new-life during the summer solstice, a reflection on the passing of time at the period of the winter solstice. The time-based nature of the poem–and the visitor’s time-based encounters with it–allow viewers to have different experiences either seeing a stanza of the poem or getting the whole poem. All of these possible experiences are equally valuable and have meanings unique to the individual. This technique has the potential for producing particular effects and meanings within an architectural environment. Without the use of a source of power other than the sun, this project uses light and shadow to push the boundaries of communication and experiential delight.

Simon Heys » Word Clock

by sbrothier & 3 others
Word Clock is a typographic screensaver for Mac OS X. It displays a fixed list of all numbers and words sufficient to express any possible date and time as a sentence. Word Clock displays time by highlighting appropriate words as each second passes. Help with localisation / translation.

April 2008

Notes on Design » Blog Archive » Sustainable Typography

by sbrothier & 1 other
The concept of “green” typography may seem ridiculous to non-type-nerds and, yes OK, perhaps typography can’t conquer climate change, but it can certainly help communicate it! With these thoughts in mind, I thought it would be interesting to share some recent examples I’ve found of contemporary typography that truly redefine those terrifying visions of green (and tree-shaped) logos!

Notes on Design » Blog Archive » Sustainable Typography

by oqdbpo & 1 other
The concept of “green” typography may seem ridiculous to non-type-nerds and, yes OK, perhaps typography can’t conquer climate change, but it can certainly help communicate it! With these thoughts in mind, I thought it would be interesting to share some recent examples I’ve found of contemporary typography that truly redefine those terrifying visions of green (and tree-shaped) logos!

From Helvetica to Haas Unica : un album sur Flickr

by sbrothier
This is the promotional publication by Team'77, outlining the strategy and realization of Haas Unica. In 1980, Team'77 (consisting of André Gürtler, Erich Gschwind and Christian Mengelt) set out to "correct" common issues found in the grotesk typefaces at the time, including Helvetica.

Words Are Pictures // Craig Ward

by oqdbpo & 3 others
TYPOGRAPHIC DESIGN, ILLUSTRATION AND ART DIRECTION BY CRAIG WARD.

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