Sponsorised links
This year
Pissed Jeans : King of Jeans
by crypticcyco
Chronique du nouvel album de Pissed Jeans, "King of Jeans", délire punk alcoolisé
Sponsorised links
2008
CRESS / SAME SHIT, DIFFERENT ARSE.
by rike_
(via)
This is a compilation of Cress covers. It's totally d.i.y. and for free - the way punk should be.
Diffusion Phonographique Populaire : Ze Label Libre
by rike_
L’idée c’est de se passer des circuits habituels, de réduire les coûts, de proposer le plus largement possible des productions de groupes indépendants, créatifs, engagés.
Issue des principes DIY punks, l’initiative est ouverte aux artistes de tous les styles, sans censure.
Notre but est d'aider si possible les groupes à produire des enregistrements de bonne qualité, et surtout de diffuser ceux-ci.
Pour ça, les masters complets sont mis à disposition sur Internet au format ogg vorbis en haute qualité et distribués dans le monde réel sous forme de CD-R via un réseau de participants sans direction centralisée.
2007
Shit-Fi: The Political Economy of Bad Music
by rike_
Shit-Fi is a new magazine dedicated to in-depth coverage of underground, primitive, raw, marginal, politically radical, and esoteric music, with a focus on DIY, punk, hardcore, and metal. Think Maximum Rocknroll meets October with Terveet Kädet rehearsal tapes playing in the background. This magazine was originally intended to be printed on paper, as we are ultimately old-fashioned, but financial constraints have led to this website. Please check the site often for updates.
The Dirty Punk Anarchy Machine !! ::::::::::::::
by sdaclin
& 11 others
Pour passer un bon moment audio en bonne compagnie !
Alternative HookUp!
by ukup2k6
Alternative dating site for punks,emos,metalheads, rockers and goths.
The 25 Most Influential Punk Bands
by kooolman
(via)
Pfffh, y'a même pô Sport Doen (alors qu'ils seront au KoooLfest). Et qu'en pensent les Zoulkeux ? => http://www.zoulk.net/phorum/read.php?1,54909
Fuzz :: Maureen
by dustface
I used to be in a band called Babes in Toyland--almost exactly ten years after I left the band I started working for Fuzz. I was introduced to one of the founders through my brother who worked with him at Google. I have been doing a lot of thinking about what artists need--I always have, and now it's part of my job. I think that artists need to make a living doing what they love—not sacrifice so severely to be able to create—and in some cases stall their ability to be prolific. Artists live in possibility, but they can not live on it.
