PUBLIC MARKS with tag punk

Chronique du nouvel album de Pissed Jeans, "King of Jeans", délire punk alcoolisé

This is a compilation of Cress covers. It's totally d.i.y. and for free - the way punk should be.

Emission diffusée le 2ème et 4ème vendredi de chaque mois de 18h à 19h sur Fréquence Paris Plurielle 106.3FM (Paris & banlieue) et www.rfpp.net

L’idée c’est de se passer des circuits habituels, de réduire les coûts, de proposer le plus largement possible des productions de groupes indépendants, créatifs, engagés. Issue des principes DIY punks, l’initiative est ouverte aux artistes de tous les styles, sans censure. Notre but est d'aider si possible les groupes à produire des enregistrements de bonne qualité, et surtout de diffuser ceux-ci. Pour ça, les masters complets sont mis à disposition sur Internet au format ogg vorbis en haute qualité et distribués dans le monde réel sous forme de CD-R via un réseau de participants sans direction centralisée.

Les musiques reprises et samplés par les Daft Punk

le Svink c'est chic

Frankenstein Punk Gênero Animação Diretor Cao Hamburger, Eliana Fonseca Ano 1986 Duração 12 min Cor Colorido Bitola 35mm País Brasil

Shit-Fi is a new magazine dedicated to in-depth coverage of underground, primitive, raw, marginal, politically radical, and esoteric music, with a focus on DIY, punk, hardcore, and metal. Think Maximum Rocknroll meets October with Terveet Kädet rehearsal tapes playing in the background. This magazine was originally intended to be printed on paper, as we are ultimately old-fashioned, but financial constraints have led to this website. Please check the site often for updates.

Cult Punk - Politics, Hardcore Punk, & Apocalypse Culture podcast

Pour passer un bon moment audio en bonne compagnie !

Actualité musicale

Alternative dating site for punks,emos,metalheads, rockers and goths.

Pfffh, y'a même pô Sport Doen (alors qu'ils seront au KoooLfest). Et qu'en pensent les Zoulkeux ? => http://www.zoulk.net/phorum/read.php?1,54909

I used to be in a band called Babes in Toyland--almost exactly ten years after I left the band I started working for Fuzz. I was introduced to one of the founders through my brother who worked with him at Google. I have been doing a lot of thinking about what artists need--I always have, and now it's part of my job. I think that artists need to make a living doing what they love—not sacrifice so severely to be able to create—and in some cases stall their ability to be prolific. Artists live in possibility, but they can not live on it.