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October 2009
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March 2009
Calcul de la Musique
by Emaux
Groupe de recherche sur la formalisation de la musique
Ce thème concerne en particulier l'utilisation des outils scientifiques dans les domaines:
- de l'aide à la composition
- de l'intelligence artificielle
- de l'algorithmique dans le domaine de la composition
- de la synthèse sonore
- de l'analyse et du traitement des sons
- de l'analyse musicologique.
February 2009
Argo - Gérard Paresys
by Emaux
ARGOPd est constitué de modules de synthèse et de traitement sonore et visuel fonctionnant en temps réel sous Pure Data.
ARGOPd is made of real-time sound and visual synthesis modules. A module is a Pure Data patch.
Pour MacOSX, Windows, Linux.
ARGOPd est fait pour des utilisateurs qui n'ont jamais programmé Pure Data
ChucK => Strongly-timed, On-the-fly Audio Programming Language
by Emaux
& 3 others
ChucK is a new (and developing) audio programming language for real-time synthesis, composition, performance, and now, analysis - fully supported on MacOS X, Windows, and Linux. ChucK presents a new time-based, concurrent programming model that's highly precise and expressive (we call this strongly-timed), as well as dynamic control rates, and the ability to add and modify code on-the-fly. In addition, ChucK supports MIDI, OSC, HID device, and multi-channel audio. It's fun and easy to learn, and offers composers, researchers, and performers a powerful programming tool for building and experimenting with complex audio synthesis/analysis programs, and real-time interactive control
Pure Data Community Site
by Emaux
& 3 others
Pd (aka Pure Data) is a real-time graphical programming environment for audio, video, and graphical processing. It is the third major branch of the family of patcher programming languages known as Max (Max/FTS, ISPW Max, Max/MSP, jMax, etc.) originally developed by Miller Puckette and company at IRCAM.
flexatone h.f.p. | Christopher Ariza | Computer Music
by Emaux
& 1 other
Computer music includes open-source and/or free software for algorithmic composition, interactive composition, and utilities for music production and analysis.
January 2009
jMusic - Computer music composition in Java.
by Emaux
& 1 other
jMusic is a project designed to provide composers and software developers with a library of compositional and audio processing tools. It provides a solid framework for computer-assisted composition in Java™, and is also used for generative music, instrument building, interactive performance, and music analysis. jMusic supports musicians with its familiar music data structure based upon note/sound events, and provides methods for organising, manipulating and analysing that musical data. jMusic scores can be rendered as MIDI or audio files for storage and later processing or playback in real-time.
Computer Music Group
by Emaux
The Computer Music Project at CMU develops computer music and interactive performance technology to enhance human musical experience and creativity. This interdisciplinary effort draws on Music Theory, Cognitive Science, Artificial Intelligence and Machine Learning, Human Computer Interaction, Real-Time Systems, Computer Graphics and Animation, Multimedia, Programming Languages, and Signal Processing.
Music-Notation.info
by Emaux
Music fonts, music software, tutorials, notation formats...
Experience shows a much better situation for customers when you decide to use standard file formats and standard protocols and buy the software that fits to this decision.
Computer Music Center at Columbia University
by Emaux
The Computer Music Center at Columbia University is an innovative and exciting music and arts technology facility with a long history of creative excellence
December 2008
Standard Music Description Language : une norme en devenir
by Emaux
Le SMDL est une norme qui sert à représenter l'information musicale que cette dernière soit seule ou combinée avec du texte et des graphiques. L'information multimédia est également supportée3. Il s'agit d'une application HyTime se conformant à l'ISO/IEC 10744:19924 à laquelle on a ajouté des formes architecturales spécialisées pour la représentation des éléments musicaux
MuseData Representation of Musical Information
by Emaux
The purpose of MuseData code is to represent the logical content of musical scores in a software-neutral fashion. The code is currently being used in the construction of full-text databases of music for several composers
Informatique musicale ( M. NUTZ )
by Emaux
Ce site traite de l'intérêt de l'informatique dans le domaine de la musique et dans les domaines musicaux où l'informatique est assez peu répandue
Symbolic Sound Kyma: Company WebHome
by Emaux
Kyma X is a sound design environment being used in music and post-production studios, research labs, art installations, game developers' studios, educational institutions, home studios, and live performances. A sound library with over 1000 pre-packaged examples means you can start creating amazing sounds straight out of the box.
Rosegarden: music software for Linux
by Emaux
& 8 others
Rosegarden is a well-rounded audio and MIDI sequencer, score editor, and general-purpose music composition and editing environment.
Rosegarden is an easy-to-learn, attractive application that runs on Linux, ideal for composers, musicians, music students, and small studio or home recording environments.
pure-lang - Google Code
by Emaux
Pure is a modern-style functional programming language based on term rewriting. It offers equational definitions with pattern matching, full symbolic rewriting capabilities, dynamic typing, eager and lazy evaluation, lexical closures, built-in list and matrix support and an easy-to-use C interface. The interpreter uses LLVM as a backend to JIT-compile Pure programs to fast native code.
Pure is closely related to the author's Q language and is slated to eventually become its successor, since it offers many new and powerful features and programs run much faster than their Q equivalents.
