PUBLIC MARKS with search shape

http://bit.ly/xITx1H - Watch and share "A Day Made of Glass 2: Unpacked," to see how Corning's highly engineered glass, with companion technologies, will help shape our world. Take a journey with our narrator for details on these technologies, answers to your questions, and to learn about what's possible -- and what's not -- in the near future

The concept of ownership — possessing the exclusive rights and control over a property of any kind — has existed for centuries and in all cultures. Whether by state, collective or personal, ownership is a determining factor not only in our built environment, but in the way we shape our society, too. Yet what happens to ownership when the behaviors and needs of our society shift? What do we need to own, if anything at all? In every change, the redefinition provides new opportunities for our built environment.

The entities are displayed in a chart that shows how often each entity occurs across each page. Using this chart, you can see which companies and individuals tend to be mentioned together frequently, or which parts of a long document concern a certain topic.

To make art with technology, one does not use it as a tool; one must understand it as a material. Technology is not always a tool, an engineering substrate; it can be something to mould, to shape, to sculpt with.

Myths are often unsatisfactory, even tormenting. They puzzle and haunt the mind that encounters them. They shape different parts of the world inside our heads, and they shape them not as pleasures, but as encounters with the inapprehensible – the numinous

'S-XL CAKE is a baking dish with a new approach: The shape of the cake is inspired by the permanent issue "how to divide a cake?". S-XL CAKE plays with our individual need for different sizes of cake-pieces in a decorative, provocative and ironic way by taking advantage of the new possibilities that flexible silicone baking dishes offer.'

People just aren't that interested in what other people think. And it's damned difficult to speak your mind 140 characters at a time. Most of the time you can anticipate in advance what the misunderstandings will be, and self-edit. Then self-censor.

Nov 27, 2010

karl said...

You said: "URIs have become part of the furniture of the real world, like corporate graffiti tags. I'm typing this on a tube train and every poster at this end of the carriage features a URI in some shape."The metaphor is a little bit off. Basically yes you are right in the physical world (everything is real, the difference is more digital-physical), things change too. The poster in the carriage is content (aka the representation served to you), but this is not the URI. The URI in the carriage in this case is the pointer which led to this poster. It could be for example "carriage XZ345-window AXV" This is the identifier, the URI. The content can change it is no issue. Now the URI helps you to designate and draws an expectation, at this URI, I'm used to read this or that. Example in the physical world. At this address, 123 Smith Street, etc. (URI = identifier), there is a shop (representation) which sells bread. Maybe one day the shop will be replaced by a fisher place and you break the expectation of the usual person coming here. You break URIs when you do not handle it anymore. Exemple an urban architect redesign the city, and the street completely disappears, where one day the street was here, the next year no more than a big factory on what was one day a street. The important is not that the street disappeared, but that the name of the street disappeared. The History books of the city or the streets around could display a 410 Gone (Here was Smith Street).

More recently, psychologists have even shown that “gendered languages” imprint gender traits for objects so strongly in the mind that these associations obstruct speakers’ ability to commit information to memory.

The Tokyo Apartment building by Sou Fujimoto consists of five dwelling units. Each one of them has two or three independent rooms in a prototypical “house” shape. I’m not sure that I would like to climb a ladder each time I want to go to the other room. But I would definitely like to visit this building.

Foodprint Toronto is the second in a series of international conversations about food and the city. With the Toronto Board of Health having just formally adopted a new city-wide food strategy, the timing is perfect for a truly cross-disciplinary discussion that explores the past, present, and future of food and the city. From the fight for street food to the transportation infrastructure of the Ontario Food Terminal, and from the evolution of school meals to the challenge of scaling up urban agriculture, panelists will explore the forces that shape Toronto’s food and speculate on how to feed Toronto in the future.

The visualization continues to take shape (see these earlier posts for context). We are now parsing live data from Twitter and image tiles from the Google Maps API for the surface mesh. The user interface remains the point of focus at this point in time, though we are beginning to look for data parsing solutions to help construct the semantic pathways between status updates. Below are a few images of the latest progress.

Since raw material is usually expensive, the craftsman must know how to make the most of what he’s got. This often brings to the fore his economical genius for gathering, managing and storing materials. It is only through working the material repeatedly that the craftsman becomes familiar with its properties well enough to coax it into shape. But while we see the craftsman’s contribution as his genius for forming material, we rarely give him credit for more abstract design thinking about the broad implications of his creation.