PUBLIC MARKS with search cherry

Crafted to brush away fallen leaves and petals, the concept of the vase derives from a walk around the pond during the cherry blossom season.

63.02º, built in a densely residential area in Nakano, Tokyo, is a small building of a SOHO and an apartment for rent. The front road is really narrow, but the next apartment has a big open space between the road and the building. In order to this situation, the facade of 63.02° is inclined 63.02 degrees toward the front road, so that a wide and deep view is acquired. From the large windows that are opened on the inclined facade, you can see neighbor’s cherry tree and the cityscape.

Cherry Blossom is a blogging system written in Python. It was written specifically because I had a lot of pyblosxom blog entries on my previous blog, but I wanted to use cherrypy instead of plain-ol cgi. It adds features like object publishing, session support, access to lots of cherrypy plugins, access to GET and POST vars as method parameters, and others. This software's been running my blog (http://billmill.org) for over two years now, and has survived a couple redditings and a flood from stumbleupon, all without a hiccup.

The woodblock illustrations below were cherry-picked from a Wisconsin University collection of about forty books presenting the earliest depictions - from the 18th and 19th centuries - of the Ainu people by the Japanese. The images are in haphazard order and are primarily of the Sakhalin Ainu (pronounced eye-noo)

It might seem easy to cherry-pick howlers from a corpus as exensive as this one, but these errors are endemic. Do a search on "internet" in books written before 1950 and Google Scholar turns up 527 hits

On connaissait Gmail la poubelle à courriels, maintenant on a Google Scholar la poubelle à livres.

Le projet «Shadows from Another Place» propose à l'internaute de prendre conscience des répercussions des bombardements effectués par l'armée américaine en Irak, en mai 2003. Les coordonnées GPS de ces sites irakiens ont été répertoriés et transposés sur une carte de la ville de San Francisco. Des photos ont été prises sur ces lieux américains qui se révèlent être des lieux publics. Cette oeuvre engagée permet de déplacer les lieux de violence, de les poser dans l'espace occidental et d'en dégager les répercussions possibles sur un espace donné. «Cherry Blossoms», de l'artiste Alyssa Wright, propose une approche similaire sous forme de performance dans la ville de Boston

What struck me was that locative media practitioners often refer back to the situationists as some kind of ancestors, as if they’re working in the same vein. …

But that, to me, seems to be where the similarities end. As alive-and-kicking situationist muse Jacqueline de Jong pointed out during the evening, the situationists wanted one thing above all else: to destroy and disrupt our cushy society. They were sick of it, vowing never to work a day in their lives. They probably would have laughed if they had seen that their ideas had been cherry-picked for ripe concepts. The derive, the detournement. All simple concepts that they purposefully packaged in complex and artistc jargon. And we fell for it.